A Huge Sucking Sound

Subtitled 'Gentleman Take Polaroids' and other Japan song titles. I would like to personally hear from everyone who likes David Sylvian. Just so I can understand exactly why. Seriously, my email address is frakcture@outgun.com. Inquiring minds want to know...

Wednesday, March 22, 2006

Artist as Narcissist



The subject has been retread many, many times. The aloof artist remains such, not out of some noble obligation, not necessarily because he can't relate to others, but because he's too self centered to care.

Or is that really the case?

Is this an incurable affliction? One psychologically ingrained due to family and social circumstance? Or is it something far more shallow? This is given poignant consideration in the scene of Ingmar Bergman's Autumn Sonata from where this frame is taken. The mother's hands have taken the keys, their stance betraying a lifetime of devotion to a single craft.

The mother Charlotte, played by Ingrid Bergman, had begun the scene by coercing her daughter Eva, played by Liv Ullmann, to play the piano for her. Eva reluctantly began to play Chopin's 2nd prelude in A minor, punctuating the appropriate lack of a soundtrack in this picture. She begins hesitantly, eventually digging her fingers into the piece. She drops the heavy chords in a steady order, pulling off an adequate interpretation and bringing the prelude to a pensive close. Charlotte sits stunned. But what we think would turn to an expression of maternal pride instead becomes a subtle patronization. When Eva asks her "Did you like it?" the mother beguiles her with an affectionate "I liked you."

Eva senses this subtlety and becomes cross. She insists her mother show her the proper interpretation. Charlotte at first hesitates and then jumps at the chance. She first dictates the few things that Eva could have executed better. She explains the mood that surrounds Chopin's brooding prelude and with a confident "like this" begins her playing of the same piece. Charlotte pulls the previously steady recital taut, flawlessly wresting each phrase and change into place.

Sven Nykvist's brilliant shot work comes into definite play in this sequence. We see the mother facing left, buried in the piece and narcissisticly absorbed in reflecting Chopin's glory. The daughter sitting next to her slowly turns a baleful expression toward her mother. A lack of communication is painfully apparent as both of them face opposite directions, Eva's face showing the sadness of knowing this is how it's always been. Charlotte, a concert pianist, had often abandoned her for the sake of her art. Now, here in this same room with the mother that she hadn't seen in seven years, she commits the same crime right in front of her eyes.

As someone who enjoys art and the creation of it, I can't help but notice my own parallel to Charlotte. I rarely if ever share anything of an artistic bent with my family. So many of us seem content to keep to ourselves. Does our art hinder us from being engaging people? We may get by being quiet, even amiable. But is this the way to live?

Some of us may be afraid to open up because we're afraid people won't understand, that they won't 'get it'. What if we show them there is nothing to get? Let them know what we do artistically is merely an expression and nothing to be put off or intimidated by. That way we won't be locked into our own rooms, our own worlds. A place that can be heady and beautiful at times, but often predatory and satanic as focus intensifies on oneself. I know that I can work to escape it, and maybe most of us can in one way or another. "One isolating himself will seek his own selfish longing." - Proverbs 18:1

That's what makes group musicing the greatest form of art. In my humble opinion.

Monday, March 20, 2006

I am a poser (You see, I just used the term 'poser'. How out of touch can one man be?)

I live in The Woodlands, Texas. I know, I know, you're reading 'Hell, Texas' in my profile. Well, that's a relative equivalent. This is a place encased in a shroud of imported evergreens, marked by Disney World-like signs that indicate how much it costs to live in a certain subdivision. Our main attraction is the frigging mall, a suburban church often flooded by Hollister-clad children with a leash of money dragging their parents behind them.

Now, what is a self-centered, faux-intellectual with a crippling reliance on hyphens to do in this sort of environment? Read books at the local Barnes and Noble? Write pages of banal thoughts at a Starbucks competitor? Yes, of course! I'll look down on the affluent! I'll curse the overprivileged!

I'll wear a jacket on a seventy degree day.

I'm so sorry. Self-deprecation is an act of vanity in itself, so, I'm sorry. Athos, Peter, Leftclawnorth a.k.a. Black Medusa, you guys are true friends. If you guys ever want to talk about your troubles, please, please call me. I am a willing and ready sounding board. I hope to see all of you in the near future. It's very lonely down here, as you can tell.

Monday, March 13, 2006

Jim James has a really great voice

I was watching Austin City Limits this past weekend. Wilco was on, along with Conor Oberst, who had M. Ward and our title hero each do a song. Does anyone else think Conor Oberst bears a striking resemblence to Tobey Maguire? Just thought I'd let you guys stew on that.

M. Ward has a great voice, too. And so does Jeff Tweedy. "1,2,3,4,5,6,7,8,9....once in Germany someone said nein..."